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All About My Mother

1999 · Directed by Pedro Almodóvar

Original language: Spanish

  • comedy
  • drama

The story

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

What it’s like

Saturated reds, ochres and hospital whites fill almost every frame of this Almodóvar film, shot in warm, controlled light with bold, deliberately composed interiors: a stage-bright apartment, a convent corridor, a Barcelona street glowing under sodium lamps. The camera glides and holds on faces, often in tight close-up, and the score swells with strings and a wistful, theatrical melody that tips into melodrama and back out again. Its vibe is tender, flamboyant grief, with a wry, warm humour running under the sorrow. Scenes linger on conversation, ritual and small kindnesses, and its people, mostly women finding one another after loss, move from isolation toward an improvised, chosen family. The intensity is moderate: a death opens the story, drug use and illness appear, and there is some sex and some sharp verbal cruelty, but little on-screen violence and no gore. It suits a rainy evening with a glass of wine, or a comfort rewatch, for people who love emotional, stylised cinema that treats melodrama seriously and finds laughter inside heartbreak.

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