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Funny Games

1997 · Directed by Michael Haneke

Original language: German

  • drama
  • horror
  • thriller

The story

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

What it’s like

Cold, precise and deliberately airless. Long static takes frame a well-off family's lakeside holiday house in flat, even daylight, with the camera held at a polite distance so that every act of cruelty plays out in full view rather than being cut away from. The palette is pale and clean: white sailing clothes, pastel interiors, green water and pine, all faintly over-lit and sterile. The sound design is spare to the point of discomfort, with little score beyond a few sharp classical cues, and long stretches where the only audible things are footsteps, ticking clocks and the drip of ordinary domestic life. Pacing is slow and deliberately teasing, and the film repeatedly breaks the fourth wall, inviting the viewer to question their own watching. Tone is cold dread and mounting unease rather than shock: the violence is brief in cutaways but painful and explicit in what is shown, with cruelty, humiliation and a sustained threat of sexual menace, though there is little gore. This is a film for viewers who want a dissection of spectatorship and violence, sat with coldly, and it is far too harrowing for anyone seeking comfort, gentleness or escape.

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