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Ghost

1990 · Directed by Jerry Zucker

Original language: English

  • fantasy
  • romance
  • thriller

The story

After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.

What it’s like

Warm, glowing and sentimental, with soft-focus lamplight in a Manhattan loft, rain-slicked streets smeared with sodium-orange and blue, and a palette that moves from amber domesticity to the cool, washed-out grey of the afterlife. Its camera is mostly unhurried: medium two-shots of a couple at a pottery wheel, slow push-ins on faces, and a mid-1990s glossy polish that makes every kiss feel like an event. Maurice Jarre's swelling strings and a piano-led love theme do much of the emotional work, with bursts of thriller tension and a few gently comic beats lightening the mood. The vibe is bittersweet romance with a supernatural thriller undercurrent, the kind of film that suits a rainy evening on the sofa, a tissue within reach, or a comfort rewatch. Its pace is steady and romantic, and its central arc follows a grieving woman learning to let go while a man who cannot touch the world learns to act through others. Violence occurs in a single brutal mugging and a few tense confrontations, with some menace but no gore; sexuality is present in a famous, sensual pottery scene but not explicit. It suits viewers who want heartfelt, tear-jerking romance with a touch of suspense and a hopeful afterlife.

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