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It Comes at Night

2017 · Directed by Trey Edward Shults

Original language: English

  • drama
  • horror
  • mystery

The story

Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

What it’s like

Tight, claustrophobic compositions dominate this film: static shots of doorways, dim interiors lit by lanterns and firelight, and the deep green-black of a forest that presses in from every window. Its palette is muted and cold, with sickly daylight bleeding through boarded gaps and warm flicker against the dark, and the camera often holds still long enough for unease to settle. Sound does much of the work, with near silence broken by creaks, distant rustling and a low, sparse drone that makes every knock feel loaded. The mood is paranoid dread with a bleak, nihilistic undertow, the kind of film that suits a late night alone when the house feels too quiet. Its pace is slow and deliberate, building toward sudden, brief bursts of violence and a few harrowing moments of cruelty, with no gore for its own sake but a real sense of threat. Dread outweighs shock, and the drama lives in how fear reshapes trust between strangers and family. It is for viewers who want atmosphere, tension and an unsettling post-apocalyptic stillness, and who can handle sudden, grim violence and an ending that refuses comfort.

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