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Ittefaq

2017 · Directed by Abhay Chopra

Original language: Hindi

  • crime
  • thriller

The story

Police officer Dev investigates a double murder case that has only two witnesses - an acclaimed writer Vikram and a young homemaker Maya, who also happen to be the prime suspects in the case. He finds himself being torn between their own version's of what happened on the fateful night, and takes it upon himself to figure out the real story and capture the real murderer.

What it’s like

Cool, low-key blues and grey-greens dominate this Bollywood thriller, with a lot of its action staged in a single high-rise flat and the sterile offices of a police station, where fluorescent light flattens faces and rain-streaked windows throw dim, watery reflections across the walls. The camera stays close and deliberate, circling interrogation tables and lingering on glances, with flashbacks that shift the palette and grain as each witness rewinds the night. The score is sparse, built on low strings and ticking percussion that swells at reveals and otherwise drops to quiet, so the silences do much of the work. Its vibe is taut, claustrophobic unease: a late-night watch where you keep rearranging clues in your head. Violence is off-screen or brief, with the double murder kept mostly offstage and the bloodshed never lingering on the frame; there is a little menace and some sexual tension, but no gore. It suits a rainy evening alone, for viewers who enjoy whodunits that reward close attention, slow-building suspense, and puzzles built on unreliable testimony.

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