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Legends of the Fall

1994 · Directed by Edward Zwick

Original language: English

  • drama
  • western
  • romance
  • war

The story

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

What it’s like

Sweeping Montana landscapes in golden-hour light: wide, unhurried shots of rolling grassland, pine-dark mountains and a big-sky horizon, then intimate interiors lit by lamplight and hearth fire. The palette runs amber, ochre and deep forest green, with frost and snow giving the later passages a cold blue edge, and the trench scenes of the First World War shift to muddy, desaturated greys. Camera work is classical and expansive, with slow pans across the prairie and long, composed frames of riders against the sky, while the score by James Horner is lush, rising strings and a mournful, singing theme that swells through the drama. The pace is stately and episodic, moving across decades in broad strokes, and the register is melodramatic and elegiac, a family of brothers and their father bound by devotion, rivalry and grief, with the sibling bond at its emotional core. Violence is present and sometimes sudden, including battlefield casualties and a few harrowing war sequences, and there are sexual scenes and some tragic deaths, but none of it is lingered on for gore. It suits a slow weekend afternoon or a long evening with a blanket and a cup of tea, and it will appeal to people who want a big, old-fashioned romantic saga with sweeping scenery and an emotional, sorrowful tone.

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