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Letters to Juliet

2010 · Directed by Gary Winick

Original language: English

  • comedy
  • drama
  • romance

The story

An American girl on vacation in Italy finds an unanswered "letter to Juliet" -- one of thousands of missives left at the fictional lover's Verona courtyard, which are typically answered by the "secretaries of Juliet" -- and she goes on a quest to find the lovers referenced in the letter.

What it’s like

Sunlit Verona in warm golden hour, with terracotta rooftops, cobbled lanes, vineyard hills and the sun-washed courtyard wall of the Juliet balcony, all shot in bright, saturated postcard colour that leans toward honeyed amber and sky blue. The camera stays loose and affectionate, gliding through markets, trattorias and countryside drives with a light, travelogue ease, and the score is sweet strings and acoustic guitar that never pushes hard. Vibe: sunny, wistful and cosy, the kind of gentle romantic escapism that suits a lazy weekend afternoon, a comfort rewatch, or a long-haul flight when you want to be transported to Italy without much effort. Pacing is easy and unhurried, with the warmth coming from the people more than from any sharp turns. The arcs follow a buttoned-up woman loosening up, a charming stranger and an older romantic reconnecting with the one that got away. Intensity is very low: no violence, no gore, nothing frightening, and only light, non-explicit romance and kissing. It is for people who want a gentle, feel-good romance with scenery doing much of the heavy lifting.

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