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Memories of Murder

2003 · Directed by Bong Joon Ho

Original language: Korean

  • crime
  • drama
  • thriller

The story

A sadistic serial rapist and murderer of young women terrorizes a small province in 1980s South Korea. To prevent further crimes, three increasingly desperate detectives with conflicting methods race against time to unravel the violent mind of the killer in a futile effort to solve the case.

What it’s like

Rain-soaked fields and drab provincial streets, shot with a handheld, restless camera that stays close to sweating, cornered faces, then pulls back to wide, empty rice paddies under a flat grey sky. The palette is muddy greens, ochres and washed-out interiors lit by buzzing fluorescent tubes and single hanging bulbs, with the occasional sudden, jarring flash of color. The score is sparse and unsettling, with long stretches of wind, rain and near silence broken by a plaintive melody. Its pacing is slow and procedural, punctuated by sharp bursts of violence and brutal interrogation scenes that land hard and linger. The tone is bleak, darkly comic in its cops' bickering, and quietly despairing: three flawed detectives grind through failure, each drifting further from the moral ground they started on. Intensity is high: rape and murder are depicted, with a graphic, distressing police brutality and some blood, though the most disturbing acts are often implied rather than shown. Made for viewers who want a serious, unflinching crime story about obsession, institutional failure and the cost of not knowing.

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