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The Magnificent Seven

2016 · Directed by Antoine Fuqua

Original language: English

  • adventure
  • action
  • western

The story

Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.

What it’s like

Warm late-afternoon sun bleeds across dusty plains, and the frame loves wide open landscapes, with the riders small against ochre hills and the town of Rose Creek rendered in sun-faded timber and tired wood. Antoine Fuqua shoots with a sweeping, classical Western sensibility: broad crane-like moves, long establishing shots, and tight close-ups on weathered faces during the quieter exchanges. Sound leans on a swelling orchestral score by James Horner with frontier percussion and bursts of gunfire that snap sharply against the open air. The vibe is rugged, companionable and brisk, a sun-baked popcorn Western with a warm, bantering camaraderie among its misfits. Violence is frequent and fairly bloody: gunfights with visible wounds, some gore, and a few harsh deaths, though it stays more crowd-pleasing than grim. Its rhythm is steady and action-driven, with lulls for banter and a gradual thaw between the gunmen and the townsfolk. It suits a Saturday afternoon, a stretch of easy weekend viewing, or a group watch. Best for people who want a swaggering, good-humoured Western with an ensemble of charismatic outsiders and a clear sense of who to root for.

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