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The Spy Who Loved Me

1977 · Directed by Lewis Gilbert

Original language: English

  • adventure
  • action
  • thriller

The story

Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.

What it’s like

Bright, sun-saturated Bond glamour: Egyptian pyramids and Sardinian coves under hard Mediterranean light, gleaming white yachts, and a glossy 1970s palette of ochre, turquoise and cream. The camera favours wide establishing shots and sweeping aerial views, with brisk, polished editing and lush orchestral swells from Marvin Hamlisch's score, though the set pieces are the real texture: a ski-jump escape, a towering underwater sequence in a sub-hangar, and a tanker that swallows a submarine. Violence is frequent and stylised, mostly gunfire, fistfights and explosions, with a few quietly grim moments of assassination and mass death, but nothing lingers on gore and the sexual content is playful innuendo. Vibe: breezy, cheeky and escapist, a lively Saturday-night watch or a comfort rewatch with a drink in hand. The pacing is steady and episodic, the tone light even when the stakes turn apocalyptic, and Bond's arc is a familiar charm-and-wit rhythm rather than real emotional change. Best for people who want big-screen spectacle, wry humour and a slick, old-fashioned thriller that doesn't take itself too seriously.

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