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Hellraiser

1987 · Directed by Clive Barker

Original language: English

  • horror
  • thriller

The story

A hedonistic man finds a mysterious puzzle box that summons a group of gruesome beings known as the Cenobites. These otherworldly entities open the doors to a dominion where pain and pleasure are indivisible.

What it’s like

Dim, cramped interiors lit by a single bare bulb, dust hanging in shafts of cold grey light, and a palette of rust, bruised purple and wet brown that makes the house feel like a body going bad. The camera tends to hold still in tight rooms and let the horror arrive from the edges of the frame, while the Cenobites are revealed in slow, lingering reveals of leather, chain and pale flesh. Sound does much of the work: a dissonant, metallic score, creaking floorboards, and long stretches of unnerving silence broken by wet, sucking noises. The vibe is grimy, decadent dread, a fever dream that suits a late night alone with the lights off. Its intensity is high: frequent gore, bodily transformation and bloody violence, with sexual content and cruelty present and played as horror rather than titillation. The pace is deliberate, building through the middle before a feverish final act. The emotional register is cold and cynical, following a man ruined by appetite and a woman who will do anything to get him back. It is for people who want visceral, gothic body horror with a sharp edge of erotic menace.

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