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Memoir of a Snail

2024 · Directed by Adam Elliot

Original language: English

  • animation
  • comedy
  • drama

The story

Forcibly separated from her twin brother when they are orphaned, a melancholic misfit learns how to find confidence within herself amid the clutter of misfortunes and everyday life.

What it’s like

Hand-sculpted clay figures move through handmade sets in a stop-motion style that shows its fingerprints: lumpy faces, slightly uneven surfaces, and miniature rooms cluttered with cracked crockery, cardboard and dusty bric-a-brac. The palette is muted and earthy, with ochres, greys and faded pastels, and the camera often holds on a character in a small, crowded frame while a rain-soaked or sodden Melbourne-style suburb presses in around the edges. The score is wistful and quirky, with plucked strings and accordion-like melodies that sit beside sudden silence. Its vibe is melancholic yet warm, bittersweet and wryly funny, a film for a quiet evening or a rainy afternoon when you want something tender and odd. The pacing is leisurely and digressive, with a voiceover narration that wanders through memory and small domestic detail. Its emotional register moves between grief, loneliness and gentle humour, following a lonely woman slowly learning to trust her own worth. Content is heavy in theme: dead parents, a difficult childhood and institutional and foster-care neglect are central, and there is grief and some crude, adult humour. Violence is rare and mostly offstage, but the sorrow is unsparing. For adults who like sad, idiosyncratic animation that does not look away from hardship.

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