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Money Monster

2016 · Directed by Jodie Foster

Original language: English

  • thriller
  • drama

The story

Financial TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor takes over their studio.

What it’s like

Saturated studio light and the cold glow of monitors give way to crowded Manhattan streets in restless daylight, with handheld camera work that keeps the pressure close to the actors. Money Monster is a tense, talky thriller that plays like a live broadcast gone wrong: bright, glossy set interiors, tight two-shots, rapid cutting in the control room, and a score built on pulsing electronic tension. Its vibe is jittery, sharp-edged and satirical, best suited to a weeknight when you want momentum and a sense of rising stakes rather than quiet. The pacing is brisk and escalating, and the emotional register swings between sardonic banter and real panic. Its people move from showmanship and self-protection toward an uneasy, grudging honesty, with a flashy TV personality forced to face the consequences of his own performance. Violence is limited to a few sudden, startling moments of gunfire and a tense standoff; the threat is frightening but not gory, with no sexual content and little graphic harm. For viewers who enjoy hostage-drama tension, media satire and smart, talky performances, and who can handle dread and bursts of violence without wanting gore.

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