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Rango

2011 · Directed by Gore Verbinski

Original language: English

  • animation
  • comedy
  • family
  • western
  • adventure

The story

When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging Western town of Dirt, the theater-loving lizard suddenly finds himself the newly appointed sheriff. Welcomed as the last hope the town has been waiting for, Rango is forced to play his new role to the hilt and uncover the truth behind a looming water crisis—before his act catches up with him.

What it’s like

Dusty, sun-bleached desert light with hot amber haze over every frame, and a camera that loves wide, slightly off-kilter compositions of cracked earth, peeling saloon walls and dusk-orange skies. The animation is hand-textured and painterly in its rendering of sand and skin, with dense, specific clutter in each shot: bottles, wanted posters, tumbleweeds, the cramped interiors of a dying frontier town. Sound leans on twangy guitar, sparse wind and dry percussion, with Hans Zimmer's Western score swelling into operatic gestures and quiet pauses. The vibe is wry, shaggy and melancholy-tinged, a playful spaghetti-Western pastiche with a warm, goofy heart; it suits a lazy afternoon, a family movie night with older kids, or a comfort rewatch for anyone who loves old Westerns. Pacing is brisk and talky, full of self-aware gags and theatrical monologues, and its arc follows a fragile, self-deceiving lizard slowly finding courage and a sense of belonging. Intensity is mild and mostly cartoonish: some gunplay, a tense standoff, a few scary creatures and a brief bleak moment about thirst and death, but no gore. For people who want a clever, slightly melancholy animated Western that is funny without being cynical.

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