Shithouse
2020 · Directed by Cooper Raiff
Original language: English
- comedy
- drama
- romance
The story
Lonely college freshman Alex has closed himself off from his peers, who all appear to have this whole "college thing" figured out. But everything changes one night when Alex takes a leap and attends a party at Shithouse - a legendary party fraternity - where he forges a strong connection with Maggie.
What it’s like
Warm, grainy handheld shots drift through dorm hallways, night parties lit by lamps and phone screens, and quiet daytime rooms where the camera lingers on awkward silences. The mood is tender and a little rumpled, like a lived-in indie film that trusts its ordinary spaces. Dialogue runs long and conversational, with loose, funny digressions that give way to sudden, unguarded honesty. The vibe is wistful and warmly funny, with a steady undertow of homesickness. It suits a rainy weekend, a late-night watch alone, or a gentle comfort rewatch. Pacing is unhurried, with scenes allowed to breathe and sometimes wander. The emotional register swings between bashful comedy and quiet grief, and the central arc follows a lonely young man slowly learning to let someone close. Intensity is low: there is no violence or gore, some drinking and crude sexual talk, frank conversation about loss, and a few tense, emotional moments. It is for viewers who want heart, humour, and a gentle coming-of-age story.
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