
Soylent Green
Directed by Richard Fleischer
- science fiction
- crime
- mystery
The story
In the year 2022, overcrowding, pollution, and resource depletion have reduced society’s leaders to finding food for the teeming masses. The answer is Soylent Green.
What it’s like
Dim, smoggy interiors and sweltering exteriors bleed into one another, with hazy orange sunsets filtered through pollution, crowded tenement corridors lit by dirty tungsten and flickering bulbs, and a scatter of cold, sterile government rooms shot in flat, washed light. Director Richard Fleischer favours wide, deep-focus frames packed with bodies and debris, and the camera lingers on rows of hungry people in soup lines and on the grim, grey texture of a city running out of everything. The sound is sparse and tired: occasional ambient hum, distant sirens, and a melancholy score that lets silences hang. The mood is bleak, paranoid and quietly despairing, the vibe of a sweaty, sour afternoon with the windows shut. Pacing is deliberate, with long conversations and slow tracking through streets and apartments, while the emotional arc follows a jaded detective slowly drawn toward compassion for the people he is supposed to be policing. The film carries real violence, including a murder and a brutal crowd-control scuffle, and a disturbing, unsettling final act; it is not gentle. It suits viewers who enjoy dystopian mysteries and social-commentary science fiction, and who can sit with grim, heavy material.
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