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Two Weeks Notice

2002 · Directed by Marc Lawrence

Original language: English

  • romance
  • comedy

The story

Dedicated environmental lawyer Lucy Kelson goes to work for billionaire George Wade as part of a deal to preserve a community center. Indecisive and weak-willed George grows dependent on Lucy's guidance on everything from legal matters to clothing. Exasperated, Lucy gives notice and picks Harvard graduate June Carter as her replacement. As Lucy's time at the firm nears an end, she grows jealous of June and has second thoughts about leaving George.

What it’s like

Bright, glossy early-2000s studio comedy: saturated Manhattan interiors, pale midday light falling across polished offices and cream-and-chrome apartments, and a warm, unfussy camera that stays in medium two-shots so the banter does the work. The look is clean and mainstream, with crisp digital color, neat symmetrical sets, and a bouncy, piano-and-strings romantic score that rises on cue. The vibe is breezy, witty and gently sarcastic, the feeling of a lazy weekend afternoon with a sofa and a bowl of popcorn. Pacing is quick and chatty, with sharp back-and-forth rhythms and frequent comic reaction shots. Emotionally it is light and affectionate, following a pair of prickly, mismatched colleagues who slowly learn to see each other clearly. Intensity is very low: a few raised voices and mild romantic tension, with no violence, no gore and only a single kiss-level sensuality. It suits a comfort rewatch, background during chores, or a rainy Sunday, and it is for viewers who want a friendly, sweet-natured romance with plenty of laughs.

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