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Warm Bodies

2013 · Directed by Jonathan Levine

Original language: English

  • horror
  • comedy
  • romance
  • science fiction

The story

After a zombie becomes involved with the girlfriend of one of his victims, their romance sets in motion a sequence of events that might transform the entire lifeless world.

What it’s like

Warm, saturated colour washes over a grey, decayed city: the airport lounge and abandoned mall look bleached and dusty, while the living world glows in amber and apricot tones that feel like the first warmth after a long winter. Camera work is loose and playful, with slow push-ins on faces, goofy close-ups of a shuffling, monosyllabic lead, and sudden hushed moments that let the frame breathe. The score leans on indie-pop and soft strings, punctuated by needle-drop songs that cut through the gloom with a grin. Violence exists but stays cartoonish and brief: zombies are gnawed-looking and mildly gory, with a few sudden attacks and smashes, yet nothing lingers and the mood stays mostly tender. Sexual content is absent beyond a chaste kiss and romantic longing. The overall vibe is wry, bittersweet and easygoing, a comfort watch for a lazy weekend or an evening when you want something funny, low-stakes and sweet with a little undead grime. It suits viewers who enjoy quirky romantic comedy, gentle genre mash-ups and characters who thaw slowly into something human.

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