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Film2012

Welcome to the North

Directed by Luca Miniero

  • comedy

The story

Now in the Far North (i.e. Milan!), Alberto has accepted to manage a program for efficiency improvement in the Italian Post. He devotes all his time and all his energy to this noble task and neglects his wife Silvia, which of course annoys her beyond limits. Things do not fare much better in Castellabate where it is rather Maria, Matta's wife, who gets on his nerves by always blaming him for his lack of ambition. One day, due to a misunderstanding, Mattia is transferred to... Milan! And on whose doorstep does he land? Alberto's of course!

What it’s like

Grey Milan fog and cold office fluorescents give way to bright Mediterranean sunlight, sea glare and whitewashed village streets, so the colour temperature itself becomes part of the joke. Camera work stays plain and sitcom-friendly, with wide two-shots and reaction close-ups that let the performers' timing carry the scenes. The score is light and bouncy, with accordion-tinged Italian pop and easy strings. The vibe is warm, cheeky and low-stakes, the kind of film that suits a lazy Sunday afternoon, a comfort rewatch with someone you like, or half-attention on a long evening. Its rhythm is brisk and chatty, with overlapping dialogue, regional accents and running gags about manners and misunderstandings. Emotionally it stays sunny and forgiving, following two stubborn men and their frustrated wives as they grudgingly soften toward each other and the places they've been pulled between. There is no violence, gore or sexual content beyond light innuendo, and the only real edge is good-natured teasing about regional stereotypes. It suits people who want a gentle, funny, affectionate comedy about north versus south, with nothing harsh to sit through.

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