Coming to America
1988 · Directed by John Landis
Original language: English
- comedy
- romance
The story
An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.
What it’s like
Bright, saturated studio comedy with the warm, slightly stagey glow of 1980s Hollywood: daylight that pours through the windows of a Queens barbershop and a fast-food counter, vivid primary costumes against plain brick and linoleum, and the crowded, loud rhythm of a working-class neighbourhood that feels lived-in rather than set-dressed. The camera mostly stays comfortable and unfussy, holding on group reactions and punchline beats, with the synth-tinged pop score and bursts of Motown-flavoured music keeping the energy buoyant. The vibe is cheerful, goofy and affectionate, a comfort watch for a lazy weekend afternoon or an easy group evening. Pacing is brisk and sketch-like, with scenes built around jokes, costumes and oddball characters; the arc of a pampered young man learning humility and warmth through ordinary people gives it a gentle, sweet-natured heart. Intensity is low: some crude humour, sexual innuendo, a little rough street talk, and brief scuffles and playground-style slapstick, but no real gore or cruelty. It suits people who want big laughs, romance and something light and generous that doesn't ask much of them.
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