Dark Matter
2015
Original language: English
- sci-fi & fantasy
- drama
The story
The six-person crew of a derelict spaceship awakens from stasis in the farthest reaches of space. Their memories wiped clean, they have no recollection of who they are or how they got on board. The only clue to their identities is a cargo bay full of weaponry and a destination: a remote mining colony that is about to become a war zone. With no idea whose side they are on, they face a deadly decision. Will these amnesiacs turn their backs on history, or will their pasts catch up with them?
What it’s like
Glossy, hard-lit sci-fi with a comic-book sheen: clean white corridors, cool blue practical light, and bright red emergency glows that punch through the gloom of the derelict ship. Its framing leans on wide, tidy compositions and crisp handheld moves during fights, while the ship's interiors feel functional and a little worn, all scuffed metal and humming machinery. The score is driven by synth pulses and taut strings that swell into space-opera brass when the stakes spike. Vibe: brisk, cheeky, adventurous, with a light irreverent streak. It suits a weekend binge, a lazy evening with friends, or a comfort rewatch when you want escapism with a sense of humour. Pacing is fast and episodic, with frequent reveals about who each crew member used to be, and the emotional arcs centre on six strangers slowly learning to trust one another while their pasts start to surface. Violence is regular and fairly stylised: firefights, stabbings and some bloody injuries, with little lingering gore and sexual content kept mild. It is for viewers who enjoy ensemble space adventure, mystery-driven character reveals and a playful take on amnesia.
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