Designated Survivor
2016
Original language: English
- drama
- war & politics
The story
Tom Kirkman, a low-level cabinet member is suddenly appointed President of the United States after a catastrophic attack during the State of the Union kills everyone above him in the Presidential line of succession.
What it’s like
Crisp, polished network-drama look: bright, evenly lit government interiors in cool blue-white and grey, with the White House and its corridors rendered in a steady, almost hushed palette, while night scenes turn to dim lamplight and shadowed conference rooms. The camera leans on measured medium shots, tight two-shots during tense exchanges, and occasional sweeping aerial or handheld passages when crisis hits, so the stillness of the leader's solitude alternates with bursts of motion. Sound is a restrained orchestral-and-synth score that swells under alarm and then drops away to room tone, with the murmur of phones, briefings and footsteps carrying much of the atmosphere. The vibe is sober, anxious and quietly grave, with a current of mourning under the procedural urgency. The pacing is brisk and episodic, built on cliffhanger reveals, and the emotional register favours grief, doubt and moral strain over spectacle. A reluctant everyman slowly grows into the weight of office while those around him question his legitimacy. Violence is present but largely offscreen or brief: an opening attack with sudden, shocking destruction, then menace, shootings and terrorist plots handled with restraint rather than gore, though fear and tension run high throughout. Suits viewers who like political thrillers, conspiracy twists and sustained suspense, and who can tolerate a fair amount of dread.
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