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DMZ Vol. 4

2008

  • militia movements
  • imaginary wars and battles
  • war correspondents
  • comic books, strips
  • war stories
  • fiction
  • dystopias
  • war
  • comics & graphic novels, general
  • new york (n.y.), fiction

The story

While the U.S. Army and National Guard are fighting overseas, an anti-establishment militia rises up and begins a second civil war.

What it’s like

Gritty, desaturated city streets rendered in heavy, gestural ink and muddy washes, with Manhattan rooftops, checkpoints and wrecked neighbourhoods drawn in dense, cluttered panels that feel lived-in and tense. The mood is bleak and grounded, a cold, damp unease that sits under every scene like wet concrete. Its pace is steady and reportorial, built from conversations, interviews and quiet observation punctuated by sudden flashes of gunfire, so it suits a focused evening with a thermos of coffee rather than a light skim. Violence is present and occasionally graphic, with bloody injuries and executions shown directly but not lingered on for gore's sake; expect real brutality, political anger and a fair amount of heavy dialogue, and no sexual content. The emotional register is weary and watchful, with the story's central figures slowly drawn into the chaos around them. It is for readers who want serious, politically charged war fiction with urban grit and visual texture, and who are comfortable with a mature, uncompromising tone.

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