Malena
2000 · Directed by Giuseppe Tornatore
Original language: Italian
- drama
The story
12-year-old Renato experiences three significant events on the same day: the beginning of the Second World War, getting a bike, and witnessing the arrival of the gorgeous Malèna. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed dead, and, through his soul, we see his love for her.
What it’s like
Warm amber light and sun-bleached Sicilian streets, the summer heat so thick you can nearly smell the dust, dissolving into cooler interiors of shuttered rooms and dim cafés. Tornatore frames the small town with a lush, nostalgic eye: slow pans across piazzas, lingering close-ups on a bicycle wheel and a swaying skirt, and a score by Ennio Morricone that swells with lyrical, wistful longing and then drops into quiet. The feel is bittersweet and tender, a coming-of-age ache softened by sepia-toned memory, with wartime unease rippling beneath the surface. Pacing is unhurried, almost dreamlike, built for a slow afternoon or a late evening alone with a glass of wine. Intensity is moderate: the war is felt through rumour, rationing and a few harsh public humiliations of women, including a brutal shaving scene and sexual cruelty that is implied rather than shown, with no graphic gore. Its emotional register is wistful and melancholy, following a boy's obsessive, admiring gaze at a woman whom the town judges and pities. It suits viewers who want lush, nostalgic European cinema with a bruised heart, and who can sit with the discomfort of how a community punishes beauty.
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