Raajneeti
2010 · Directed by Prakash Jha
Original language: Hindi
- drama
- thriller
The story
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
What it’s like
Dusty, sun-bleached daylight over crowded rally grounds, sweaty close-ups, and dim, smoke-hazy backrooms where deals get struck in low voices, all shot with a restless handheld camera that stays close to faces. The palette runs to ochres, browns and faded saffron banners, with cold fluorescent interiors that feel bleak next to the roar of the crowds. Sound is loud and crowded: slogans, engines, the tense quiet before a gunshot, with music used sparingly to heighten the pressure. Its vibe is grim, tense and cynical, a slow-building political thriller that suits a late night when you want something dark and absorbing. The pacing is dense and relentless, and its people's arcs trace how loyalty and affection erode under ambition, until allegiances blur. Violence is frequent and sudden, with shootings and killings that land hard and some sexual content and cruelty; it is not gentle. It is for viewers who want a sharp, morally murky look at power, with no comfort in the ending.
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