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The Perks of Being a Wallflower

2012 · Directed by Stephen Chbosky

Original language: English

  • drama

The story

Pittsburgh, Pennsylvania, 1991. High school freshman Charlie is a wallflower, always watching life from the sidelines, until two senior students, Sam and her stepbrother Patrick, become his mentors, helping him discover the joys of friendship, music and love.

What it’s like

Warm, slightly faded autumn-into-winter colour, with 1991 Pittsburgh rendered in cassette-tape nostalgia: rust-brown suburban streets, wood-panelled rooms, and tunnel-light moments when a song swells on the car stereo and the frame opens up. Camera work stays close and intimate, with many shots held on faces and handheld drifts through crowded parties, while the soundtrack does much of the emotional work, a loose stream of 80s and early 90s rock and new wave that turns real on the cassette and in the open truck bed. The pace is unhurried and conversational, built around quiet confessions and long pauses rather than set pieces. Tone is bittersweet melancholy with flashes of joy, a coming-of-age arc in which a withdrawn freshman slowly lets himself be known, and the sadness that surrounds him, including depression, abuse in his history and self-harm, is handled with weight rather than shock. Violence and sexual content are present but not graphic: brief, painful scenes that land heavily and are followed by care. Good for a rainy weekend, a late-night comfort rewatch, or anyone who misses being sixteen, though it is not gentle for viewers seeking an easy watch.

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