Troll
2022 · Directed by Roar Uthaug
Original language: Norwegian
- fantasy
- action
- adventure
The story
When an explosion in the Norwegian mountains awakens an ancient troll, officials appoint a fearless paleontologist to stop it from wreaking deadly havoc.
What it’s like
Big-budget Norwegian monster spectacle built on sweeping mountain vistas, dust-grey ruins and the bright, sterile glare of a government operations room, with glossy digital photography and a loud, orchestral score that swells over every set piece. The camera moves with the kinetic energy of a disaster film: quick cuts through rubble and smoke, wide shots that make a creature look enormous against Oslo's skyline, and night sequences lit by fire, flashing emergency lights and blue screen glow. Its vibe is brash, rollicking and playfully folkloric, the kind of thing to put on for a loud Friday night or a movie-night with friends who want to be entertained rather than unsettled. Pacing is relentless, with few quiet beats, and the emotional register stays light; the central arc follows a stubborn, capable scientist who gradually learns to trust a team of officials and a wary local ally. Intensity is moderate to high: frequent destruction, crushing and falling debris, and creature violence that is action-movie rather than gory, with some peril and tension but no sexual content. Made for viewers who want creature-feature thrills, Norwegian legend seasoned with spectacle, and an easy, crowd-pleasing ride.
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