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Far from the Tree

2021 · Directed by Natalie Nourigat

Original language: English

  • animation
  • family

The story

On an idyllic beach in the Pacific Northwest, curiosity gets the better of a young raccoon whose frustrated parent attempts to keep them both safe.

What it’s like

Soft, hand-drawn animation with watercolour-like textures and warm, sunlit greens and blues along a quiet shoreline, the image breathing with gentle light and muted tidal palettes. The camera stays patient and close, letting small movements (a paw testing wet sand, a parent's tense glance over a shoulder) carry the feeling. Sound is light and sparse: lapping waves, wind through grass, a few delicate musical touches that never crowd the picture. The vibe is warm, playful and quietly anxious, the kind of short that suits a slow Sunday morning, a lazy afternoon, or sharing with a young child. Its runtime is brief and its pacing unhurried, with a gentle comedic rhythm built from the small mishaps of curiosity and caution. Its emotional register is affectionate and tender, following a restless young animal and a protective parent learning to loosen their grip a little. The intensity is very low: no violence, no gore, just mild peril and a few tense moments that resolve softly. It is well suited to families with young children and to anyone who wants something gentle, funny and sweet in under a quarter hour.

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