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Marcella

2016

Original language: English

  • crime
  • drama

The story

Marcella is shocked to the core of her being when her husband Jason leaves her unexpectedly, confessing he no longer loves her. Heartbroken, Marcella returns to the Met’s Murder Squad. Ten years ago Marcella gave up her fast-tracked police career to marry and devote her life to her family. With the abrupt end to her marriage and isolated from her 13 year old daughter and 10 year old son, Marcella throws herself into work to stop herself from falling apart.

What it’s like

Cold, rain-darkened London rendered in muted greys, wet asphalt and the sickly green of hospital corridors, with harsh overhead fluorescents in the squad room and dim, sodium-lit streets after dark. The camera stays close and restless on Anna Friel's face, often in handheld tracking shots that follow her through crowded flats and interview rooms, while the score is sparse and pulsing, with long stretches of ambient hum and rain against glass. Vibe: bleak, tense, emotionally raw, with a thread of sour dark humour. It suits a late-night watch alone, when you want a crime drama that keeps you on edge and leans into a single woman's unraveling. Pacing is brisk within each episode but the mood stays heavy and unsettled. Murders are shown with real brutality, including bodies, blood and fear-driven violence, and the threat is constant and often grim rather than stylised. Its emotional arc follows a betrayed, self-destructive mother and detective slowly rebuilding a sense of herself under pressure. For viewers who want a serious, dark British procedural centred on a complicated female lead, and who can take unflinching violence.

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