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South Park: Bigger, Longer & Uncut

1999 · Directed by Trey Parker

Original language: English

  • animation
  • comedy

The story

The third graders of South Park sneak into an R-rated film by ultra-vulgar Canadian television personalities Terrance and Phillip, and emerge with expanded vocabularies that leave their parents and teachers scandalized. When outraged Americans try to censor the film, the controversy spirals into a call to wage war on Canada and Terrance and Phillip end up on death row, with the kids their only hope of rescue.

What it’s like

Flat, cut-paper animation with rough construction-paper edges, bright primary colours, and a deliberately crude handmade texture that reads as a classroom cutout come to life. Its visual language is simple and jarring: static frames of cramped small-town streets under drab grey skies, and then sudden lurches into garish, saturated hell sequences that look like a children's pageant gone wrong. The sound is just as broad. Musical numbers arrive with full, sincere orchestral swells and cheesy showtune choreography, while the score cuts from sentimental strings to cartoonish stings. Vibe: profane, anarchic, sardonic, with a streak of goofy warmth underneath. Pacing is brisk and episodic, with jokes stacked on jokes and very little breathing room. The emotional register is mostly irreverent, though the kids' loyalty to each other gives it a surprisingly tender core. Intensity is high: constant crude language, frequent crude sexual humour, graphic cartoon violence and gore including explosions and bodily destruction, and pointed satire of religion, war and censorship. It is not gentle, and nothing about it is subtle. Made for adult viewers who enjoy irreverent, boundary-pushing satire, musical absurdity, and comedy that delights in being offensive.

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