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The Predator

2018 · Directed by Shane Black

Original language: English

  • science fiction
  • action
  • thriller

The story

When a young boy accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race.

What it’s like

Bright, saturated daylight and jungle-green or sodium-orange night scenes give this film a loud, grimy sci-fi-action look, with handheld camera jostling through close-quarters firefights and mud-spattered suburban streets. The Predator's cloaking shimmer and red targeting lasers stand out against shadowy forests, while a pulsing, brassy synth-and-drum score drives the set pieces and gives way to bursts of jokey needle-drops. The vibe is rowdy, bruised and wisecracking, a buddy-team romp with a grumpy streak, good for a loud Friday night or a noisy rewatch with friends. Pacing is brisk and scrappy, with the emotional register swinging between bantering camaraderie and genuine unease as a group of misfit ex-soldiers and a sardonic scientist slowly learn to trust one another. Violence is frequent and bloody: creature attacks, gunfights and gory deaths, some crude language and sexual humour, but it stays in the pulpy B-movie register rather than sustained horror. It suits fans of 1980s action, creature-feature mayhem and irreverent banter who don't need a gentle watch.

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