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Hellsing Ultimate

2006

Original language: Japanese

  • animation
  • drama
  • sci-fi & fantasy

The story

For over a century, the mysterious Hellsing Organization has been secretly protecting the British Empire from the undead. When Sir Integra Hellsing succeeded as the head of the organization, she also inherited the ultimate weapon against these supernatural enemies: Alucard, a rogue vampire possessing mysterious and frightening powers. Now, Hellsing must deal with a more dangerous threat than vampires.

What it’s like

Hellsing Ultimate is loud, saturated and theatrical: hard black shadows cut across crimson and gold, operatic camera moves swing through candlelit manors and bombed-out London streets, and the animation leans into bold inked outlines, flashing muzzle light and grotesque close-ups of wounds and undead faces. Its sound is the main event. Pounding orchestral and choral cues, sudden silences before explosions, and gunfire rendered as a dense, almost percussive barrage fill most scenes, while the dialogue is delivered with exaggerated, theatrical relish. The mood is gleefully bleak, a dark-comedy adrenaline rush of wartime Britain turned into a gothic battlefield. Violence is frequent, graphic and gory, with bodies shredded, blood sprayed in stylised bursts and frequent sexual innuendo and crude humour, and it lands as pulpy spectacle rather than quiet dread. The pacing is rapid and episodic, with long stretches of talk broken by brutal set pieces. It suits late-night binge sessions for people who want bombastic, irreverent horror with a patriotic streak, and it is a poor fit for anyone seeking something gentle or restful.

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