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Knives Out

2019 · Directed by Rian Johnson

Original language: English

  • comedy
  • crime
  • mystery

The story

When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan's dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.

What it’s like

Bright, sun-warmed interiors give way to cool autumn exteriors in this crisp, witty whodunit, shot with a sharp eye for stately rooms: wood-panelled libraries, sweeping staircases, and a glass-walled house on a Massachusetts hill that feels both luxurious and slightly stifling. Camera moves are smooth and playful, with tracking shots that glide through crowded family dinners and quick, precise cuts during flashbacks to the night of the death. Light is generous and golden in the daytime scenes and cooler, moodier in the evenings, while a bouncy, string-led score keeps the mood buoyant even as accusations pile up. The vibe is clever and easygoing, a comfortable puzzle for a rainy weekend or a crowd on the sofa, with a sly, affectionate edge that pokes fun at a squabbling family and the people who serve them. Pacing is brisk and enjoyable, and the arc follows an outsider sharpening his instincts while a household of self-interested relatives slowly unravels. Violence is minimal and mostly off-screen, with a death that is shown without gore and no sexual content; the tension is light rather than frightening. It suits viewers who want a witty, intelligent mystery with warmth and humour and no real menace.

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