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Vincenzo

2021

Original language: Korean

  • action & adventure
  • comedy
  • drama
  • crime

The story

During a visit to his motherland, a Korean-Italian Mafia lawyer gives an unrivaled conglomerate a taste of its own medicine with a side of justice.

What it’s like

Bright, glossy studio interiors and sleek Seoul high-rises give way to rain-slicked back alleys and the warm amber of late-night street stalls, with the Italian-Korean protagonist's rumpled suits and wry half-smiles anchoring the frame. Camera work leans on punchy handheld moves during confrontations and polished, symmetrical compositions in boardrooms and courtrooms, while the score swings from sweeping strings to playful pop cues and thumping bass when the action spikes. The vibe is slick, sardonic and warm, a dark comedy with a wink that keeps its corporate villains squarely in its sights. Pacing is brisk and episodic, with frequent reversals and a sharp turn toward tenderness in its found-family scenes. Violence is present and occasionally brutal, including shootings and beatings, but it is stylized rather than gory, and the sexual content is light. Corruption, betrayal and a lot of verbal sparring carry the emotional weight, and the bond between the lead and his chosen allies gives the story its heart. Best for viewers who want a stylish, morally charged revenge caper with plenty of humour and a satisfying crowd-pleasing payoff.

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